day 4, sep. 21 ๐Ÿ“ฆ

agenda ๐Ÿ“œ

  1. 1
    ๐Ÿƒ cross-section walkabout
  2. 2
    ๐Ÿ‘‹ hello + check-in!
  3. 3
    ๐Ÿ”„ about iteration
  4. 4
    ๐Ÿ‘€ small-group reviews
  5. 5
    ๐Ÿ“ working period
  6. 6
    โœ๏ธ due next class

cross-section walkabout ๐Ÿƒ

weโ€™re going to take a peek across sections to see what other people are up to!

in preparing this room... ๐Ÿ“Œ

  • โ†’
    pin up your draft posters.
  • โ†’
    also, pin up your sketch for your โ€œmaking it publicโ€ concept (or whatever material(s) you have for that).
  • โ†’
    pin a piece of paper next to your posters.
    • โ†’
      on this paper, ask a question to people looking at your poster.
    • โ†’
      below your question, write โ€œplease answer below!โ€

as youโ€™re walking... ๐Ÿ““

  • โ†’
    bring a notebook/pen with you.
  • โ†’
    draw a quick sketch of three things you find inspiring. some ideas of what you can draw:
    • โ†’
      a sketch of the posterโ€™s composition;
    • โ†’
      a typeface or type pairing;
    • โ†’
      a photo or illustration;
    • โ†’
      some combination of photo and type.

hello + check-in! ๐Ÿ‘‹

hi! weโ€™re nearly in the third week of the semester, how are things going so far?

photo from this weekend ๐Ÿ“ท

IMG 4317

cat tax ๐Ÿฑ

IMG 4307

questions iโ€™ve got for yโ€™all โ“

  1. 1
    whatโ€™s going on in providence? any events or things people should know about? (anyone check out pvdfest?)
  2. 2
    whatโ€™s been the most helpful class or exercise so far?
  3. 3
    what about least helpful?
  4. 4
    is any technical support needed?

about iteration ๐Ÿ”„

in this project, youโ€™re being asked to continuously revise a poster. what can that process look like?

letโ€™s look at a project livia worked on to see what it means to iterate on a single project!

after that, letโ€™s look at a logo project i worked on.

methods of organization ๐Ÿ“ฆ

letโ€™s take a look at a couple of examples of how to organize a collection of information!

organizing via diagram

(sourceโ†—)

what are the benefits of either design?

nyc map

organizing using typography

(sourceโ†—)

who is this poster for? how can we tell?

lisa h moura

(sourceโ†—)

whoโ€™s this poster for? how do we read this poster?

public textandimage

organizing using image

(sourceโ†—)

whoโ€™s it for? what makes it โ€œgoodโ€ (or โ€œhelpfulโ€) for them?

marketbasket

how do these image treatments change the meaning behind the imges?

pots

small-group reviews ๐Ÿ‘€

this week, weโ€™re going to split the class in half! one half will be in reviews, and the other will be working.

what are we reviewing? ๐Ÿ’ญ

first: what question did you ask during the walkabout?

then, letโ€™s talk through the following questions:

  1. 1
    analyze (posters)
    • โ†’
      how are your posters being read?
    • โ†’
      what impact does the order, number of images, annotations, and overall design have on the narrative?
    • โ†’
      is the curatorial voice understandable and clear?
    • โ†’
      how do your chosen techniques and other factors impact the read?
  2. 2
    analyze (public proposal)
    • โ†’
      how do your proposed location and form engage your audience(s)?
    • โ†’
      how will they interact with your posters?
    • โ†’
      what would you like them to think, feel, and do?
  3. 3
    adjust
    • โ†’
      do your collection(s) and/or curatorial voice need to be reorganized?
    • โ†’
      are there new developments, adjustments, refinements?
group 1 ~ ๐Ÿ‘€ reviews firstgroup 2 ~ ๐Ÿ“ works first
stephieamber
anushkasimone
vivianabby
jennienicte
alexangel
karisyuchen
laurendominic

working period ๐Ÿ“

while youโ€™re not in reviews, youโ€™ll continue to work on your posters.

iteration + documentation exercise ๐Ÿ”„

take your current poster design and create the following variations of both of your posters:

typographic variations ๐Ÿ”ค

  1. 1
    the same exact posters, but with new fonts.
  2. 2
    the same exact posters, but without any text.
  3. 3
    the same exact posters, but only the text.
  4. 4
    the same exact posters, but redesign or rearrange the text (resize, rotate, reformat as needed).

compositional variations ๐Ÿ—๏ธ

  1. 5
    the same exact posters, but using new colors.
  2. 6
    the same exact posters, but inverted. donโ€™t literally invert the photos ~ if the poster uses a dark palette, make it light. if it uses a light palette, make it dark.
  3. 7
    the same exact elements, but placed differently (no redesigning, resizing, or rotating elements). youโ€™re allowed to move the text, too.
  4. 8
    half of the elements removed from each poster.

document your work! ๐Ÿ’พ

whenever you finish a poster (or create something interesting), add it to the projectโ€™s figjam boardโ†—.

due next class โœ๏ธ

hereโ€™s what to know for next week.

homework ๐Ÿ“

  • โ†’
    add all of your documentation (from todayโ€™s exercise and whatever else you want to add) to the figjam boardโ†—.
    • โ†’
      you should all have permanent editing access now ~ let me know if you donโ€™t!
  • โ†’
    continue to refine and finalize your posters based on todayโ€™s feedback.
  • โ†’
    make a higher fidelity rendering of your โ€œmaking it publicโ€ proposal (drawn or designed).
  • โ†’
    print your posters in color, tiled to 24" x 36".
  • โ†’
    bring in your original curatorial statement (and keywords) that you wrote last week. no need to edit it yet!

agenda for wednesday โœ…

weโ€™ll continue to refine and finalize your posters and public proposal.

weโ€™ll look at your iterations and your progress since the start of the week.

weโ€™ll revisit and revise your curatorial statements through a writing exercise.

the final project will be due a week from today: MONDAY, SEP. 28